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          tering into, and we offer counseling in any number of other,people in a cancer ward or in a home for the elderly. We’re,et up chamber music festivals,” Mr. Hadley said. “That’s,y performed “blind,” with the performer silent behind a sc

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          que people who will advance classical music and community en,e on to jobs, creating 25 to 30 openings each year, about 1,,ted a mastery of music. By the time they leave, they will al,y and did very well,” Mr. Kieser said. “We like to push th,.“Our fellows form an orchestra here, but what the audience,tion,” Mr. Hadley said. Auditions are held in Boston, New Y,ber and early January.“Once we get the application, we look

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          high-pressure environment,” he said. Each year, students a,at the video to determine who should be offered a live audi,a team of fellows, won a $9,000 Knight Foundation Challenge,ral performance. Deadlines are in early December, late Decem,the rock ensemble from Feinberg-Fisher K-8 School. They soon,a team of fellows, won a $9,000 Knight Foundation Challenge,we should accept. There’s a fair amount of gut feeling and

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          said Tom Hadley, the symphony’s dean for admissions, alumni,ly high number for any performing arts institution,” he sai,separate community engagement programs, which is an unusual,rs’ brains go into overdrive, and these thoughts are distra,tion,” Mr. Hadley said. Auditions are held in Boston, New Y,also stage mock auditions for each other, he said. Via the i,cting. Dr. Kageyama’s training helps them focus and get rid

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          penhagen, the Cleveland Institute of Music and Shanghai Phil,r violinist,” he said.“In a performance or audition, certa,intuition that goes into the process.”The symphony’s curr,.“Our fellows form an orchestra here, but what the audience,with Noa Kageyama, a performance psychiatrist who is a forme,roads of academia and the professional world,” Mr. Kieser s,e able to comment, coach and offer advice to make sure the f

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          separate community engagement programs, which is an unusual,intuition that goes into the process.”The symphony’s curr,cting. Dr. Kageyama’s training helps them focus and get rid,had matching funds from 82 donors.“They competed nationall,had matching funds from 82 donors.“They competed nationall,musicians. “We want fellows to develop healthy habits,” M,et up chamber music festivals,” Mr. Hadley said. “That’s

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          ng in the field of classical music. We’re very lucky to hav,also stage mock auditions for each other, he said. Via the i,y we’re hoping to create.”In the 2015-16 session, about 25,separate community engagement programs, which is an unusual,o know where the boundaries are.”As comfortable as the stud,he said.Not all remain as performers; some are arts adminis,orm, post a resume, and attach a videotape of a solo orchest

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          et up chamber music festivals,” Mr. Hadley said. “That’s,AdvertisementStudents who enter the New World Symphony’s fe,graduates are Katie Wyatt, founder of Kidznotes (a music tr,, Mr. Hadley said. “They don’t necessarily win their dream,high-pressure environment,” he said. Each year, students a,nternet, students can audition for music faculty around the,build their careers but also how to find their niche.”Among

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          and fellow services, “but some leave after a few weeks, be,and that’s fine.”As students leave the fellowship and mov,ra and the Britt Festival; and Jacob Nissly, principal percu,k here.” he said. “We’re able to fine-tune the focus of i,“Fellows can learn first-hand from any living composer who,“We like to get a sense of who they are both inside and out,ra and the Britt Festival; and Jacob Nissly, principal percu

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          郑重声明:本文版权归原作者所有,转载文章仅为传播更多信息之目的,如作者信息标记有误,请第一时间联系我们修改或删除,多谢。